Tanya Tagaq

Experimental vocalist and artist Tanya Tagaq won the Polaris Prize for best Canadian album in 2014, for Animism. Those who thought she had then made her definitive artistic statement are in for a surprise. Also in for a shock are those who thought international success, playing to major festivals and packed houses all over the world, would lead to a mellower sound, or a more laid back approach. Tagaq follows up Animism with Retribution, an even more musically aggressive, more aggressively political, more challenging, more spine-tingling, more powerful masterpiece.

There are those who find comfort in the bland sweetness of middle of the road love songs designed to soothe. But then there are music fans that find comfort in honesty, blazing human talent and free, intelligent expression of passion. This album is not dinner party ambience music. This album is a cohesive, whole statement. Why sugarcoat it? This album is about rape. Rape of women, rape of the land, rape of children, despoiling of traditional lands without consent. Hence the cover version of Nirvana’s song “Rape Me.” It’s at least a hundred times more chilling than the original. 

Retribution is Tanya Tagaq’s portrait of a violent world in crisis, hovering on the brink of destruction. It’s a complex, exhilarating, howling protest that links lack of respect for women’s rights to lack of respect for the planet, to lack of respect for Indigenous rights. It’s an album about celebrating the great strength of women, it’s about rejecting the toxic, militaristic masculinity that’s taken over the world since the rise of Western industrial capitalism, and is rapidly destroying human life support systems through climate change and pollution.

“Tagaq projects sounds that carry the imprint of the body’s secret contours and recesses, delving far beyond personal utterance, out beyond human identity, to summon voices from the flesh cavity haunts of animal spirits and primal energies.” – The Wire (UK)

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